You’re probably a little wary of all the “immersive” art shows that have passed through Los Angeles and the organizers of “Street Art Live” feel it too.
“We come from the art world and every time I see them [immersive shows], these are commercial things, ”says Wayne Fernandez, general manager at Magic Box LA, the event space at Downtown’s the Reef. “You get there and I feel like my soul is being sucked out of me. But you know, we’ve been very careful to do more than that. “
On paper, Street Art Alive may sound like another one these (also at a similar price), but the new show-based exhibition is above your average A show like Van Gogh. For starters, it focuses on an environment that is naturally suitable for blasting (or in many cases shrinking) to the size of a wall and includes a range of street performers, including D * Face, Lady Pink, Blek le Rat, Fin DAC and about 200 others – all included with permission from the artists themselves. He also unfolds an appropriate narrative for the medium, with authorial credits and historical delicacies woven into both the projections and a number of posters near the exit. And as Fernandez says, the use of projection technology, which is divided into different screen sizes and poles, and the clarity of moving images on the floor is simply better than other shows.
Visitors will be able to judge for themselves when Street Art Alive debuts on April 22 as the first exhibition to host LUME Los Angeles, a permanent digital exhibition space on the ground floor of the Reef. It arrives in the city center thanks to a collaboration between Magic Box LA and Grande Experiences, an Australian company responsible for touring immersive shows (including, yes, Van Gogh’s).
Street Art Alive divides its 40-minute video series into four themes that show how street art has pushed the world forward: how rejuvenated areas have seen better days, bring vitality to street landscapes, provide a platform for political statements and present a new a look at local traditions. It begins roughly chronologically, with a letter on the graffiti scene in New York in the 1970s and the art that covered the Berlin Wall in the 1980s, before branching out into newer developments in cities such as London, Sao Paulo and Melbourne. .
Los Angeles, of course, is also present in the exhibition, but only for a short time. “You’ll notice that this show is really about international art,” said event director Paul Bonet. “We’re not trying to bring LA art into the show because we want people to come out of here and see what’s in the community.”
For a modern, worldwide show like this, the process of assembling it is much more engaging than downloading some public domain images of a long-dead Impressionist. For starters, the team travels to 20 different cities and shoots their favorite street art works from each. Then they had to ask permission from each artist – most were excited to participate, but there were a few who “wanted to keep him on the street, wanted to be ephemeral,” says Fernandez. If the team decided to translate a mural into digital animation (as opposed to a still image simply documenting the piece), this required another round of approval. Apart from all that, then there was the question of actually compiling the show (it has changed about three times since it was first installed) and merging it with the soundtrack.
There is also a very significant analog component in the show. To get started, you’ll pass eight sections of the Berlin Wall measuring 4 by 14 feet, located near the entrance to the building and covered by commissions from local street artists (since they were located on the outskirts of Berlin, sections of the wall were “are almost as much graffiti as their more central neighbors.) The four-ton slabs were bought in Australia from all over and then shipped across the ocean – although when we visited LUME, they were still stuck somewhere in the port of LA
Once you enter, you will be greeted by geometric graphics made entirely of ribbon by artist Darel Carey. He then heads to a fake station that has guided Brooklyn since the 1980s thanks to Woes Martin art and a re-creation of the Leake Street graphite tunnel in London with AB ₵ NT wheat pastes. On the other side of the digital gallery, you’ll find a pair of site-specific murals directly on the wall: one by Aly Kourouma, which highlights missing and murdered indigenous women, and colorful portraits and images of Dourone sneakers. Although not yet fully completed at the time of our early review, there is also a wall of black and white art by Yoshi that invites visitors to leave their own multicolored trail with a piece of chalk.
There are plans for late night events, poetry helmets and DJ sets at Street Art Alive. When the show is finally over, LUME will move on to Dali and Picasso – which, yes, certainly sounds like these other compelling shows, but hopefully they will be solved with a touch, like “Street Art Alive”.
Street Art Alive opens on April 22 at LUME Los Angeles (1933 S Broadway). Tickets start from $ 39 for adults. Time reservations are available Wednesday and Thursday from noon to 7:30 p.m., Friday from noon to 9 p.m., and Saturday and Sunday from 10 a.m. to 9 p.m.
Street Art Alive has splashed colorful, digital murals inside a Los Angeles art space Source link Street Art Alive has splashed colorful, digital murals inside a Los Angeles art space