James Turrell’s Dividing the Light is a spectacular way to see sunrise

James Turrell’s works were not made for TikTok. Nor are the works of the 78-year-old light artist made for Instagram or any social media platform offering a duration of attention equivalent to hordes. Instead, the exhibits are designed to be enjoyed for minutes and hours, and the full impression of them can only be seen after a slow, gradual change in your own perception.

You’ve probably seen the direct impact of Turrell without even realizing it. Despite his decades of visionary status in the world of fine arts, the artist’s power over the cultural mainstream usually recedes into the background, sometimes literally, as in Drake’s Hotline Bling. In the 2015 music video, dark shades of bright pink, blue-purple and Drakeposting yellow periodically bathe the rapper and his backup dancers, not quite unlike Breathable light room in the retrospective of the artist LACMA, which took place from 2013 to 2014.

“I’m messing with Tearle,” Drake said later Rolling stonedirectly quoting Movement of light and space a pioneer as an inspiration as I prepared to enter one of the artist’s perceptions at the same exhibition, where I also first met Tearle as a high school art student. Although the immersive metal sphere envelops the viewer – in this case Drake – in a 12-minute mixture of colored lights and atonal sound, many of Turrell’s other works limit the manipulation of their perception to light, time and space.

Although you cannot currently see his work at LACMA, hundreds of works by a Pasadena native dating back to the 1970s can be found in museums, private collections and public places around the world. In Los Angeles, Turrell’s nearest permanently open work, open to the public, is located about 30 miles east of downtown Clermont at Pomona College, the artist’s undergraduate alma mater. Named Separation of light, the 2007 installation is part of Turrell’s Skyspace series. Although there are currently over 80 different celestial spaces, they all share one key design element: an artificially lit dormer paired against the open sky.

Light, time and space: With such fuzzy, all-encompassing environments, the artist’s typical large-scale works can evoke a sense of unpleasant disorientation or simply turning a blind eye to what other people consider contemporary art; not everyone fucks with Turrell. Each experienced piece manages to bombard and isolate with visual stimuli or lack thereof. Some, after more serious accidents in perception, even led to the fall of several people and injuries and subsequent lawsuits.

Once a younger version of me entered LACMA’s Breathable light in 2013 I can understand why. One of Turrell’s colorful Ganzfeld series, the blue-pink room destroyed any sense of depth that left me feeling vulnerable and confused like a newborn baby. I put my hand in front of me, hoping to get rid of the strange, slightly uncomfortable feeling of disorientation. Other first-hand stories about Turrell’s pieces tend to reflect my own. Many of them resemble grim descriptions of the psychedelic death of the ego or become an almost incomprehensible theory of high art.

From my fast online image search, Separation of light in Claremont it seemed rather banal. The site-specific work consists of a pavilion, slightly bathed in colored LED light, with a square cutout on the roof. Inside you will find small palm trees, built-in marble benches and a central endless fountain, which is largely combined with the surrounding architecture of Pomona College. During the day, the color of the ceiling changes to an hour, accompanied by a three-minute ringing of light. According to the website of the College of Liberal Arts, the exhibition becomes more stimulating just before dawn and dusk, when the programmed light series begin 100 minutes before sunrise and 25 minutes before sunset.

Photo: Time Out / Patricia Kelly Yeo

I considered an hour’s drive to Turrell’s Separation of light in Claremont last winter in search of a repeat. In the years after my first meeting with Breathable light at LACMA I also managed to see Turel’s works while traveling on the Japanese art island of Naoshima, home to four of the artist’s works. During my journey I managed to enter the dark as tar Minamidera and see that of Tearle The back of the moon, one of my favorite arts of all time. Bathed in complete darkness, my eyes slowly adjusted for 15 minutes, eventually allowing enough light to absorb the hidden luminescence inside the walls of the house. An unearthly blue-orange wall appeared and the prickly discomfort turned into transcendental delight.

For comparison, the lack of immersion or transmission Separation of light it seems to be relatively secular. Still, the idea of ​​waking up for the last hour of the 100-minute sunrise program was almost masochistic. Once I paddled around the pool in a glass-bottomed boat to view an underwater art gallery, I knew I was getting up before dawn to drive east for Separation of light it will be as much a part of the overall experience as art itself.

One dark weekend in November, I forced myself to wake up driving to my partner’s apartment in Mid-City after luring him to come with me with the promise of an after-show Taiwanese breakfast on the way back. From there it was a straight shot to the east on the 10, large platforms passed us and the other small cars on the road at 70 miles per hour. We arrived at Pomona College about an hour before sunrise in almost darkness. Only the faintest light in the sky hovered over our heads as we stumbled upon the utterly empty university campus.

After a quick walk of a quarter mile, the dim LED on Separation of light it became visible. We sat on a bench, huddled together for warmth in the 45-degree winter. At our feet, the water flowed quietly along the edges of the endless pool. Nothing else interrupted the peculiar mixture of drowsiness and anticipation that gripped me as we waited for the sunrise to begin. I stared gloomily into the real sky. Illuminated by the pale yellow-white frame of the canopy, the sharply cut square of twilight still looked gloomy and dark, though I could catch the first glimmers of dawn.

James Turrell Skyspace Ombre
Photo: Time Out / Patricia Kelly Yeo

For the next hour, half a dozen shades conquered the ceiling every few minutes as dawn broke, and the sky approached a milky light before dawn. Bright cherry red gave way to traffic light green, which leaned awkwardly toward blue-green before descending into a brilliant shade of royal blue. About half an hour before sunrise, the sequence began to accelerate, various two-tone gradients spilling over the ceiling every minute: orange-purple fades to yellow-purple before turning to neon green-blue. After 20 minutes, the ceiling shone with blue-green pastel shades, the edges shaped into soft purple.

At sunrise, the ceiling did not absorb any obvious color change, although the light sequence returned to more gradual changes in hue. Already fully, painfully awake, I walked around the perimeter of the pavilion, looking up. The sky now looked almost white against the light pink and orange ceilings. Dawn had come and gone. We set off, walking back through the new bright and unfamiliar terrains of Pomona College, thoughts of the near future for sure for hot soy milk and crackers from Huge cake with wood on the way home.

Tearle’s celestial space in Claremont – at least before sunrise – may not inspire so easily dislocated, disoriented revelations about his other works, but the modest work of public art still exudes a pleasant, somewhat meditative aura. Until I can talk about other times of the day than sunrise, Separation of light is more than helpful to the die-hard Turrell enthusiast, most San Gabriel Valley residents and people looking forward to the 2024 trial of Turrell’s Magnus opus in Arizona, 2024 Rodin Crater. Regardless of the time of day, the work gently insists on your constant attention, causing the audience at least a moment of calm and perhaps even surprise. Amid a sea of ​​distractions, this is an island of deliberate but calm focus, a few leagues away from the daily cheap dopamine thrills on the internet.

James Turrell’s light split is located on the Pomona College campus at 600 N College Way, Claremont. The installation is open to the public at any time; the school begs visitors not to bring food and drink inside and to respect the space and quiet pleasure of others. The unique light programs start 100 minutes before sunrise and 25 minutes before sunset.

James Turrell’s Dividing the Light is a spectacular way to see sunrise Source link James Turrell’s Dividing the Light is a spectacular way to see sunrise

Related Articles

Back to top button