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Hispanic Heritage: Remembering work of muralist Diego Rivera on Mexico’s Independence Day

San Francisco (KGO)-Today we are celebrating the Mexican Independence Day. ABC7 commemorates this day Legendary mural painter Diego Rivera.. As part of Hispanic Heritage Month, we investigated why the Bay Area has the highest number of murals outside of Mexico.

“Libya was like Paul Revere. He shouts,’The Nazis are coming, the Nazis are coming,'” said Libya, called “Pan American Unity,” emphasizing World War II. Wilmeines, who studied one of the most famous murals of the Libya, said.

“If Hitler won in Europe and everyone thought he was, he was going to have a malicious look at the Americas. We had to be a unified front,” he explained. bottom.

Maynez told ABC7 that Rivera envisioned a unity between Mexico’s rich culture and the industrialized United States. That is the theme behind the mural.

Related: “I’m very proud of who I am”: Despite the pandemic, the Bay Area celebrates the Mexican Independence Day

In 1940, Rivera began painting on ten steel panels made of wire mesh and cement based on limestone plaster.

In this way, it was transported to San Francisco Junior College, where it was stored, eventually moved to an impractical location, and packed into a small performing arts theater.

For years, people have really admired only one-third of Rivera’s concept.

“Everything was put on hold for World War II, and after World War II, we made a good transition to the Cold War. Rivera is Comey. He will never come back,” Maynes revealed.

City College will eventually be exhibited in a much larger public space to be built.

Meanwhile, the murals have been rented to the San Francisco Museum of Modern Art for at least two years and are open to the public for free.

See: Hispanic Cultural Heritage Month: What keeps the Hispanic community strong?Members explain

To arrive at the museum, a team of Mexican experts and engineers safely stabilized, put each panel in a custom crate, and traveled around the city.

Maynez loves the space currently in MOMA. “You can stand there, I’m just an” encantard “because you can really interact with the murals. “He says, he is happy.

In 1926, another part of the town, the San Francisco Art Institute had a new building and lots of free space.

“This is a great opportunity for Diego Rivera to come to California and paint a mural,” said Jeff Ganderson, a librarian and archivist at the Institute.

Four years later, in 1930, the then president of the board asked his friend Rivera to paint what is now known as “creating frescoes.” It took a month for Rivera to complete.

He remembers to acknowledge his financial supporters, but apparently the central figure is the blue-collar worker.

“He has a red star, a red badge in his pocket, symbolizing Rivera’s good left, Comey’s devotion,” Ganderson explained.

Rivera painted herself, sitting in the middle and shown, while the mural was being made.

Related: Bakery celebrates Mexican Independence Day with sweet bread in red, white and green

Today you will be amazed at what Rivera charged them. The signed, archived receipt shows one payment of $ 2,500 and the other of $ 500.

“It was a lot of money at the time,” Ganderson claimed.

That same year, Rivera’s connection with San Francisco took him to a luxury city club in San Francisco. In this issue of The Allegory of California, California’s leading women support the people of the time and their innovation.

Again, Ganderson of the Institute of Arts says Rivera emphasizes the average worker floating in the state.

“Looking at it, we see the lumber and mining industries, and it looks like an environmental disaster is happening, but he sees how he goes to natural resources as labor and to make people better themselves. I respect it, “he added. ..

The last Rivera mural in the Bay Area is at the University of California, Berkeley. Painted at Rosalie Meyer Stern’s house in Asserton. The murals finally continued in 1956 when the university named the dormitory after Stern. A small mural called “Still Life and Almond Blossoms” has a plexiglass barrier.

The children of the mural paintings, descendants of Levi Strauss, were the grandchildren of Rosalie Stern. The mural was a gift to him and the family who hosted his wife Frida Kahlo.

Gray Bressin, a scholar at the University of California, Berkeley, said, “They are actually fighting back in overalls, but they enjoy the fruits of these men’s work, which shows both elite families. I have. “

As always, Mexican agricultural workers occupy a prestigious position in society because of Rivera’s words, “The best thing I have done has grown from what I felt deeply.”

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Hispanic Heritage: Remembering work of muralist Diego Rivera on Mexico’s Independence Day Source link Hispanic Heritage: Remembering work of muralist Diego Rivera on Mexico’s Independence Day

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