For deep house fans, Desert Air was worth braving Palm Springs in December

The Desert Music Festival in December is not a cup of tea for everyone, but it is certainly mine after Desert Air last weekend. After bringing together a number of underground electronic music performers, the brand new event took place at the Palm Springs Air Museum from December 10-11. Backed by a historic B-17, producers such as DJ Koze, experimental hip-hop artist Compton Channel Tres and Berlin-based South Korean DJ Peggy Gow maintained an eclectic, persistent mix of house, techno and related subgenres throughout the weekend on this new winter electronic festival.

Organized by Goldenvoice and Splash House, the latter held a warmer season pool events in Palm Springs since 2013, Desert Air has hosted about 4,000 visitors on a two-day schedule on Friday and Saturday – making it the perfect reason for me to quickly escape to Palm Springs. Among them, Desert Air also plans to offer daily events, such as a bike tour of modernist homes from the middle of the century, which made the festival more of a humane weekend stay than a sprint in the desert.

“Oh my God! I love Channel Tres! ”The salesman told me Melody Note Vintage in the afternoon before the opening of the festival doors. Although she lived in the area, she had not heard of the festival, which eventually brought together musically sympathizers ready to spend up to eight hours in front of a stage.

Photo: Courtesy of Quinn Tucker / Quasar MediaCompton Channel Tres’ experimental hip-hop group is performing at Desert Air on Saturday, December 11th.

Held in the second week of December, the off-season festival was far from Coachella in terms of both size and overall mood. (I think that’s a good thing.) With the sunset 5 hours ago, which spoils the light for most photos, and the evening time that plunges into the mid-40s, only the most ardent fans of underground electronic music have made their way to Desert Air, driving from other parts of California or catching flights from the Bay Area, Seattle and in at least one case, New Jersey.

The relatively low temperatures did not prevent people from dancing in the crowd until midnight, although those present could also warm up with heaters in the courtyard in the dining area, which housed three food trucks. A pair of neon-lit cubes featured a retro retro plane and backgrounds for disco photos by a Los Angeles-based experience designer Veronica Hess in the hangar of the F-117 Nighthawk. Several bar stations maintained a steady casting of themed cocktails, beer and wine, as well as hot Irish coffee.

However, the VIP bracelet I received as a press pass was easily worth the extra cost of additional access to the partially closed hangar and reserved viewing area. The seating areas with plush bowl chairs, a real toilet and, most importantly, protection from the terribly cold air, made everything different during the long evening. Inside the hangar, purple, red and blue lighted planes and small palm trees added a salon-like feel. The large empty VIP table section also housed additional heaters and sitting views from the front row to the stage.

Colorful lights, sofas and bowl chairs made the difference on the otherwise quite cold nights at Desert Air.
Photo: Time Out / Patricia Kelly YeoColorful lights, sofas and bowl chairs made the difference on the otherwise quite cold nights at Desert Air.

The next morning, Desert Air also offered several daily activities aimed at early risers, including a guided tour, a yoga and sound bath class, and a modern bike tour. World War II history buffs and flight enthusiasts can also book rides with Warbird. Although I didn’t wake up in time for the hike, I was able to explore the beginner-friendly Tahquitz Canyon, about a two-mile trail in the nearby Agua Caliente Indian Reservation, which charges a small entry fee. Behind the pool by the Saguaro, one of Desert Air’s two partner hotels, was playing a tropical house while several people danced by the pool and hung out in the jacuzzi.

Lacking endurance for the entire second day of the festival, I had dinner early Rooster and piga popular place to walk to the Vietnamese shopping center in Palm Springs before you get to the festival in time for Deep directed by Moodymann, the legendary Detroit-based producer of Black House. More busy than the day before, the pre-stage crowd swelled when DJ Koze and finally Peggy Gow took the stage. After traveling 24 hours from Berlin to reach Desert Air, Gou played an energizing, often playful set that began with her mesmerizing, childhood-inspired mesmerizer.I’m leaving”, Whose lyrics are sung entirely in Korean. As city regulations banned loud music shortly after midnight, Gou ended his set at 12:30 a.m., meekly by other festival standards.

Lighting installations among the historic plane welcomed those present at Desert Air at the exit doors.
Photo: Time Out / Patricia Kelly YeoThemed lighting installations among the historic plane greeted Desert Air attendees at the exit doors.

The well-run Desert Air seemed lighter than the Burner, somewhere between a downtown show after business hours and Lightning in a Bottle. The shuttles kept fans moving between Saguaro and Renaissance, where Desert Air also sold hotel packages, and a dedicated sharing area allowed others to move from where there was no parking. Despite the almost winter cold of SoCal, the solid emphasis on underground electronic and well-coordinated lighting and art made Desert Air a completely useful festival experience for me and anyone who loves house, techno and visiting Palm Springs.

For deep house fans, Desert Air was worth braving Palm Springs in December Source link For deep house fans, Desert Air was worth braving Palm Springs in December

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