Two social media influencers are suing TikTok rival, Triller, claiming it refused to pay its content creators unless they were black.
Carolyn Ferraro, 30, and Milana Papa, 32, have accused the video sharing app of reneging on a deal to compensate them for their work for which they claim they are owed millions.
The federal lawsuit filed this week in California, and obtained by DailyMail.com, claims Triller ‘created a $14million fund to compensate only creators who were Black’ and that the firm ‘has not and does not compensate content creators who are Caucasian, Asian or Hispanic.’
The two women, who are both white, say bosses piled responsibilities on them, repeatedly promised to pay them and the other influencers they supervised, and then finally cut them out in March.
London-based Papa, who identifies as white but also has Mexican heritage, calls herself a ‘digital creator’ and Ferraro is a singer-songwriter from New Jersey. They joined Triller in July and August 2020 respectively.
Content creators Carolyn Ferraro, 30, (left) and Milana Papa, 32 (right) have accused Triller of reneging on a deal to compensate them for their work for the social media app and only paying black creators, according to a new lawsuit
Triller’s senior talent growth manager Kendra Johnson allegedly asked the two influencers to become ‘captains’ of the platform’s creator house concept that they helped develop and promised to pay them for their work once the company had the means to do so. Johnson is pictured here with digital creator James Henry
At the time Triller was on the rise, growing exponentially in India after the country’s government banned TikTok.
It later benefitted from Donald Trump’s threat to do the same in the US, shooting to the top of the app charts.
Celebrity users include Chance the Rapper, Justin Bieber, Marshmello, The Weeknd, Alicia Keys, Cardi B, Eminem, Post Malone, and Kevin Hart.
The app also gained prominence through its distribution of top pay-per-view boxing events including Mike Tyson vs Roy Jones Jr. and Jake Paul vs Ben Askren fights.
Just a few months after joining Triller, Papa and Ferraro began working closely with the company’s content moderation manager Kendra Johnson on growth strategies and content ideas, according to the filing.
By October, the two women pitched and developed the concept of a virtual creator house, where other users from around the world can collaborate on videos remotely, which they dubbed ‘Troope House.’
According to the lawsuit, Johnson, who is now Triller’s senior talent growth manager, then asked Papa and Ferraro to be ‘captains’ of their ‘house’ and told them that they would become ‘Triller Stars’.
‘For their efforts in growing the Troope House channel as Captains, Ms. Johnson made an express oral assurance to Ms. Ferraro and Ms. Papa they would be compensated for their work once Triller could afford to do so,’ the filing states.
The job as captains of Troope House involved ‘weekly status meetings, regular phone calls’ and coming up with ideas for videos and other content they and their fellow influencers could make.
The federal lawsuit filed this week in California claims Triller ‘created a $14million fund to compensate only creators who were Black’ and that the firm ‘has not and does not compensate content creators who are Caucasian, Asian or Hispanic’
Triller launched first as a video-editing app in 2015, later expanding into a social media platform akin to TikTok
The two influencers claimed they worked ‘an average of 40 hours per week, including most holidays’.
The legal papers said Johnson also promised they would live in a ‘content house’ in LA – similar to those where many groups of high-earning TikTok celebrities room together and make popular online reality shows.
Based on these assurances, the complaint states, Ferraro and Papa continued their partnership with Triller, agreeing to provide their production and management services as Captains of Troope House.
But as time went on, the two women continued to check in with Johnson about when they would be compensated for the work they were doing.
Johnson allegedly became angry when the two women followed up with questions about their compensation, the lawsuit claims
‘Consistently, Ms. Johnson confirmed that, as she had told them when Ms. Ferraro and Ms. Papa accepted their positions as Captains of Troope House, they would begin to be compensated in a short time, as soon as Triller could financially afford to do so,’ the papers state.
By November last year, Triller announced it had a $14million fund to pay black creators on its platform.
The lawsuit said that when the two women heard some of their colleagues would be getting paid, they asked Johnson when their paycheck was due.
‘Ms. Johnson became angry, laughed at Ms. Ferraro and Ms. Papa’s request, told them to ‘wait their turn,’ and hung up the phone,’ the complaint claimed.
They arranged a meeting with company chairman Bobby Sarnevesht, who allegedly told them he agreed ‘that it was unfair some creators had been paid before others based on race’ and promised they would start getting money by March 2022, the lawsuit said.
At the beginning of this year, Triller was attempting to go public through a merger that would value it at around $5billion.
London-based Papa, who calls herself a ‘digital creator’, joined Triller in July 2020, when Triller was on the rise
Ferraro, a singer-songwriter from New Jersey, joined the app in August 2020 and had shared videos on her Instagram about being on the platform’s ‘leaderboard’
By October, the two women developed the concept of a virtual creator house, where other users from around the world can collaborate on videos remotely, which they dubbed ‘Troope House
The valuation was a 300 per cent increase from when Ferraro and Papa joined, and they claimed ‘much of Triller’s success during this time frame can be attributed to the viral success of Troope House channels, originally created by plaintiffs Ferraro and Papa.’
A March 8, 2022 email written by the company’s general counsel was quoted in the lawsuit saying that ‘Troope House and its social media accounts are highly valued and significant assets of Triller.’
But just days before their alleged promised cash windfall, the women said they were dropped by the company.
In a March 1 email obtained by DailyMail.com, Senior Director of Talent Strategy and Activations Elana Moline told the women Triller ‘rejects’ their request for payment while referencing the payments to black creators and not to them
Ferraro and Papa say in their lawsuit that in February they were kicked from Triller’s messaging channels, unfollowed on social media, and told: ‘Triller no longer wishes to partner with you’ and ‘rejects your request for paid agreements for future content and retribution for past content.’
DailyMail.com obtained a copy of an email apparently sent by Triller senior staff to the women, referencing the payments to black creators and not to them.
‘Triller rejects your request for paid agreements for future content and retribution for past content,’ a March 1 email from Senior Director of Talent Strategy and Activations Elana Moline said.
‘We as a company are currently working to uplift, support, and contribute to black creators and take pride as a thought leader in this area.
‘For you both to see Triller’s gift of paid agreements to black creators as an opportunity for your own monetary gain is incredibly disappointing and not a conversation we are open to having.
The Triller senior staffer slammed the two women for seeing the company’s ‘gift of paid agreements to black creators as an opportunity for your own monetary gain’ as ‘incredibly disappointing’
The two women say they arranged a meeting with company chairman Bobby Sarnevesht who also allegedly ensured them that everyone in Troope House would be paid in the near future, however that meeting never came into fruition, according to filing. He is pictured left with Triller owner Ryan Kavanaugh
‘It also demonstrates that you do not understand or support the Triller brand or platform.’
The email accused them of trying to record a meeting ‘without our written consent’ and of telling the chairman they are ‘victims in all this’.
‘Triller hereby terminates all affiliation with you both,’ the email said.
‘The law is very clear. You can’t segregate people and pay certain people and not pay other people based on race,’ Ferraro and Papa’s lawyer, Matthew Sarelson, told DailyMail.com.
‘The company was very assertive in their position that they were only going to be compensating black content creators. Anyone non-black, whether you’re white, Hispanic, Asian, you weren’t going to get compensated.’
Sarelson, a partner at the Dhillon Law Group, added that he was surprised Triller put their alleged policy in writing.
‘A weird, interesting aspect of this is that they put it in writing. There are emails where they said that we’re only compensating our black creators.
‘I was surprised they put something that bold, something that’s so obviously in violation of federal law.’
The civil lawsuit accuses Triller of a ‘denial of equal benefits on the basis of race’ under Title 42 of the US Code.
Triller launched first as a video-editing app in 2015, later expanding into a social media platform akin to TikTok.
In August 2020, Triller reported that it had been downloaded more than 250million times globally.
By October 2020, the app had been downloaded 23.8million times in the US, according to a report by tech news site TechCrunch.
Triller did not respond to a request for comment.
Content creators sue Triller claiming they weren’t paid for their work because they weren’t black Source link Content creators sue Triller claiming they weren’t paid for their work because they weren’t black