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City Lights’ Annual Plays Festival Goes Digital—Maybe for Good

When the coronavirus pandemic stopped, City Lights Theater Co. Lights Up! Annual festival In last year’s play, Ivette Torres promoted digitization.

Citylights casting assistants believed that the online version of the festival was only an interim solution, following a strict regional blockade order to slow the spread of Covid-19. After all, the idea was a hit that could last forever with digital iteration.

“Playwrights love it because they want to hear their words out loud. Podcasts are the perfect medium for everyone to really focus on the words themselves,” Torres told San Jose Inside. “Of course, it’s a little different for the average theater patron to get used to the idea of ​​listening to podcasts and leaving reviews, but we get a lot of positive feedback from people.”

The change from a digital festival to a podcast came back this week in the first 2021 episode on Tuesday. City Lights posts four episodes every Tuesday in April via the podcast channel Filament.

Short plays include dramas, comedies, murders, and Smart speaker.. As one of Filament’s managers, Torres said the podcast was a huge hit with patrons and artists who jumped on stage and played in the last few years.

This year’s rights-up voice actor, Arcadia Conrad! According to the festival, the digital theater will fill the void left by the canceled shows at Live Theater Productions and will be the mainstay to be welcomed even if the rally is re-authorized. ..

“City Lights has a very good pivot and creates works that people can listen to in their leisure time, so they can continue to look forward to and enjoy the live theater in the future. [these] “Multimedia collaboration and art forms,” ​​she said. “I think it’s great.”

Each play takes less than 30 minutes and each play has up to 5 actors. This is a particularly suitable format for radio and podcasts due to its small cast and few visual clues. Despite these requirements, City Lights is Lights Up! Received many “attractive submissions” to. Said the festival, Torres.

“Our playwright submission process is always open and many are now online, making it more accessible,” Torres said.

In fact, digital media has proven to be a benefit to Conrad and his fellow actors and playwrights to collaborate and record from their own homes rather than physically gathering.

“I’m also a theater teacher, so if I couldn’t do this with Zoom, I’m not sure if I could accept the offer to get involved,” Conrad said. “Doing this has a great advantage for short projects, being able to log on, and being able to connect with the cast and director very quickly. It’s virtually definitely an advantage. It’s very efficient and everyone Works well. “

According to Torres, City Lights is busy preparing to reopen, but digital media is expanding its audience base thanks to the accessibility of the format. Those who cannot physically attend the show in a traditional theater setting can be part of the action remotely. In the meantime, actors, playwrights and theaters have increased their audience and are following them far beyond their territory.

“Since the podcast started, we’ve noticed that our listeners are people from all continents, which is great,” Torres said. “It’s the kind of really cool data you can get, the exposure the company wants, but not if you’re just doing face-to-face performance. But for example in Denmark with friends or With locals who can talk to their families, we know that people around the world have access to City Lights activities. “

Anyone can listen light up!Online podcast It’s free this year, and potentially for the next few years.

City Lights’ Annual Plays Festival Goes Digital—Maybe for Good Source link City Lights’ Annual Plays Festival Goes Digital—Maybe for Good

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